One of the first things we humans of every stripe learn to do is talk. Right? Sounds come to take on meaning from our earliest moments: "Mama," "Dada," "Where's the remote?"; stuff like that.
Soon thereafter, we learn that all those sounds can be alchemically represented by little squiggles; what the big creatures call the "alphabet." And, after some struggles, we learn how to read, to decode the squiggles and figure out how to get through "The Cat In The Hat," "Old Yeller," and "Anna Karenina."
Then, the sadists who run the education system pull a fast one on us: Not only are
we expected to know how to decode those little squiggly suckers, but, quelle surprise!, they now want us to figure out how to shuffle them around to capture our thoughts...in words no less!...all those things they've been teaching us to say!
So, we go from being tonally expressive...using a "medium" that utilizes melody, meter, and timbre in infinite subtle variation....to being symbolically expressive; trying to learn to capture all that richness in 26 (or so) squiggles via a system that only permits them to be arranged in pre-determined patterns under penalty of getting marked with a big red "X"!
To compound unfairness with injustice, as we get older, our educational, social and economic status becomes almost completely dependent upon with our ability to use that one system. No matter how well you speak, no matter how subtly or poetically express your imaginative flights of fancy, if you can't write them down, you're at a huge cultural disadvantage.
Historically, that disadvantage has been largely driven by technology. From our very first crayons and oak tag tablets, almost all of us have had access to the tools that enable us to learn, practice and perfect the manipulation of the 26 squiggles. Alphabetafactories (schools) provide thousands of hours of teacher-enforced, computer-assisted, competitively-graded writing lessons.
Written words, and their Cinderellafied step-brother, numbers, come to rule our universe.
And then we get to college. And, what do the sneaky bastards force us to do?
The force us to take a course called Speech 101.
Speech 101, a combination of words and numbers that turns the blood in our veins icy cold.
Speech 101, a semester-long anxiety pump.
The thought of having to stand there and actually express our thoughts in spoken language in front of other people so terrifies us that we are magically turned into pillars of sweaty stone.
We learn the true meaning of that horrible term: "stage fright."
"Why do I have to do this?," we protest, "I know how to read and write!"
What we forget, however, is that reading and writing are unnatural acts.
We are, after all, animals. Our most natural forms of communication, the ones that we use when stripped of all technology and of all species/age/culture biases, are pre-verbal.
But, those factors are most often not stripped, and in the modern age, written words hold sway. Since Gutenberg, the advantages of written language have grown exponentially.
Until now.
Welcome to the Reawakening of the Spoken Word.
Ever since radio infiltrated our homes in the 1920s, sound has been making a comeback.
Before then, only the pious, the wealthy, the city dweller, or slaves could occasionally enjoy the sound of spoken or sung language.
Before radio, one needed to sit in a crowded church or auditorium, a town square on the Fourth of July, or be able to afford a player piano to hear anything other than one's mother singing "Nearer My God To Thee," father demolishing "Yankee Doodle Dandy" in the shower, or the preacher's fiery rhetoric.
With the advent of radio, technology (that promiscuous whore) abandoned
single-minded fidelity to writing/reading, and took up with sound and
(eventually, gasp!) moving images.
Fast forward: silent films accompanied by live music; Charlie Chaplin; Al Jolson in black face; Olivier's Lear; Harold and Kumar.
Suddenly, the aural (then, visual) history of our species could
be delivered to us at higher and higher levels of verisimilitude for
lower and lower cost.
Yet, as this fellow pointed out, the means of production remained in the hands of the rich.
Now, all that has changed.
Today, we have everything we need to produce our own
audio and video masterpieces.
We have cameras, lenses, microphones, cables, tripods, steadycams, lighting,
computers, video chips, video editing software, special effects, music editing programs, media file formats, green screens, compression techniques, chat, streaming, earphones, headphones, HD recorders, HD monitors, external hard drives, QIK, iPods, iPhones, and on and on and on and on.
Only one thing is missing: the knowledge-based confidence to comfortably use all this stuff.
It's like the first day of Speech 101 all over again.
Here we have billions of literate people, people who can use those 26 squiggles to capture and express their thoughts and feelings at will. Millions upon millions of them have the aforelisted technologies to now do the same with spoken words; to use their oldest, and most natural, form of expression.
And most of them are dumbstruck. Why?
Because we didn't teach them how to do so like we taught them how to read and write.
We didn't teach them how to organize their thoughts and express them extemporaneously without fear. We didn't teach them the joys of bringing others into our non-verbal world. We didn't teach them that they owned the spoken word—poetry and prose—as much as they owned the written.
What we did teach them was that the camera was for special people doing special things on special occasions. People who looked special.
But, this won't be the case for long.
Today, we are teaching our children to be comfortable watching themselves on video—"see, there you are!"
And to record themselves.
To record their thoughts
To capture their experiences.
To share their world.
Get ready. Get ready for the millions...billions...of people who are just as comfortable picking up a video camera as they picking up are a pencil.
And, watch what happens when we once again can speak to one another in our mother tongue: facial expressions, pre-verbal gestures and spoken language.
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